The making of “Pix’elle” started from a restyling of low-quality shootings. The purpose was putting at the same level representation of so different visual elements; that level where everything becomes again a black&white pixels grid. . So, using the tridimensional movement of a basic element – the pixel - , I could connect all the different blocks and different representation of reality and let everybody looking at the video come in and out of the moving images , sometimes going beyond them. The second phase was adding typing elements, using them as interferences.
The word “Pix’elle” refers to a “from the other side” - analysis of the grammatically masculine term pixel and is duplicated to surround or give life to squared images.
Movements, divisions, assembly, follow music and all the crescendo and decrescendo . As the music increases, velocity increases itself.
Sound distorsions correspond to intentionally “dirty” images.
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Tags: animation, motiongraphics, typing, video
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Posted by Raymond Akira Betts on January 6, 2010 at 9:32am
Posted by MARIA MARCU on January 6, 2010 at 9:00am
Posted by sylvia on January 6, 2010 at 12:04am
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